Clients
Who we’ve worked with
And what we made for each of them
From household names to side projects, these are the people we’ve designed and built for, and a line or two on what we made for each. Some of the work is under confidentiality agreements, which is a polite way of saying we’d love to tell you more and aren’t allowed to. So not all of it is here, but everything that is here is true.
Netflix
We worked on Netflix’s design system: the shared parts that keep it looking and working the same on every screen you might watch it on, from the phone in your hand to the television across the room. It’s the kind of work you only notice when it’s missing, which is exactly how it should be.
Meta
We designed and built apps for the software that runs Meta’s headsets, and redesigned the website that shows them off. Designing for a screen you wear on your face is a humbling lesson in remembering where people’s hands are.
Microsoft
We built a product that connects people looking for work with the recruiters looking for them, from students hunting for a first job to experienced hires weighing up their next one. Few things matter more to someone than work, so every screen was treated accordingly.
Airbnb
We designed Airbnb’s ad campaigns in Italy and set their creative direction, mostly for Instagram, where an ad gets roughly one swipe to make somebody want to be somewhere else.
Chanel
We designed and built Chanel’s website, online store, and emails from the ground up, then helped its new head of design grow them. Working alongside a house with that much history teaches you a great deal about restraint, mostly by example.
Uber
We rebuilt the design system for Uber’s rebrand: the parts and the rules its product teams built with afterwards. A rebrand is a promise about how a company looks. A design system is how every screen keeps it.
Canal+
The work is under a confidentiality agreement, so this one stays short. We’d love to tell you all about it. The agreement would love it if we didn’t. The agreement wins.
Stranger Things 5
We designed the launch event materials and the marketing for the campaign, and helped work out what the show adds to the economy. Yes, really: a show that big turns out to have a measurable effect on the world outside the screen, and somebody has to do the counting.
Tripadvisor
We made a design system and brand guidelines, then worked with Tripadvisor’s brand designers and marketers to put them to use, which is the part where guidelines either come to life or quietly gather dust in a shared folder. We much prefer the first kind.
Semrush
We worked on Semrush’s rebrand alongside a wide team of agencies, and wrote its brand guidelines and design system. When several studios work on one brand, somebody has to write down the rules everyone follows. That part was us.
Radwell International
We looked after all of Radwell’s design across its offices around the world: the product, the brand, the marketing, and the design system. All of it, everywhere, across more time zones than even our own four clocks can cover.
Ray White
We designed the websites for Ray White’s sister brands, Whitsunday Vacations among them, each with an identity of its own. Sisters, not twins: every site had to feel related to the family without looking like a copy of it.
Australian Government Department of Health
We made a platform that helps people find disability support providers quickly, and made it easier for everyone to use. When the people using a service need it most, every unnecessary step is one step too many, so we went looking for those steps and took them out.
FICCI
With Meta, we built apps for public services that work at scale and that anyone can use. “Anyone” is a very big word in a country of well over a billion people, and we took it literally.
National e-Governance Division
With Meta, we made government applications and services simpler for the people who rely on them. A government service doesn’t get to choose who uses it, so it has to work for everyone. That’s a good rule for everything else, too.
